October, My Muse and Moment of Magic
October has always been my favorite month, not just because it’s my birth month, but because it feels like everything aligns perfectly: the crisp air, golden light, the scent of cinnamon, apple, and pumpkin weaving through every bakery and cafe. New York City thrives wrapped in the warmth of autumn. Halloween’s creeping closer, it’s peak farmers market season and there’s that sense of joyful anticipation in the air.
I prefer to keep my birthday plans simple, understated. I find applying less pressure on having fun actually turns out to be more joyful for me. So I figured the best way to kick off the month would be with one of my favorite things: an outdoor show, surrounded by my best friends. The show promised the kind of electric energy I was craving, and it didn’t disappoint. Kaytranada, Channel Tres, and Sam Gellaitry put together a 4-hour DJ set that was an electric collaborative dance party. The music flowed through the crowd like an unstoppable current, pulling everyone in, bodies moving in rhythm together synced to the pulse of the universe. Losing myself in the music, in the atmosphere, in the joy of being there with the people I love most, I felt grateful for life and another year around the sun.
October has always been my favorite month, not just because it’s my birth month, but because it feels like everything aligns perfectly: the crisp air, golden light, the scent of cinnamon, apple, and pumpkin weaving through every bakery and cafe. New York City thrives wrapped in the warmth of autumn. Halloween’s creeping closer, it’s peak farmers market season and there’s that sense of joyful anticipation in the air.
I prefer to keep my birthday plans simple, understated. I find applying less pressure on having fun actually turns out to be more joyful for me. So I figured the best way to kick off the month would be with one of my favorite things: an outdoor show, surrounded by my best friends. The show promised the kind of electric energy I was craving, and it didn’t disappoint. Kaytranada, Channel Tres, and Sam Gellaitry put together a 4-hour DJ set that was an electric collaborative dance party. The music flowed through the crowd like an unstoppable current, pulling everyone in, bodies moving in rhythm together synced to the pulse of the universe. Losing myself in the music, in the atmosphere, in the joy of being there with the people I love most, I felt grateful for life and another year around the sun.
I’d be lying if I said that I don’t routinely look forward to being taken out to dinner for my birthday. I am lucky to be married someone so thoughtful he researches restaurants until narrowing down options I’ll find interesting, menus filled with plenty of things I’ll love, and then excitedly say, “I knew that was for you” when I order precisely what he predicted. This year, the cuisine was southern Italian and the drinks were aromatic. Everything on Pasta Louise’s menu is made entirely from scratch - the sauces, breads, desserts, and of course, pasta. They feature a different shape of fresh pasta daily, which adds to the communal experience. Or at least I like to think so, since as it turned out, John Turturro was sitting at the table right behind us.
We ordered a chicken parmigiana starter, first time seeing that on a list of appetizers so it was practically a no-brainer, along with a farro salad with delicata squash, kale, pomegranate, ricotta salata, sunflower seeds and lemon vinaigrette that I am still thinking about to this day. So similar to something we make at home, I’m going to have to recreate this dish at home very soon. The pasta shape of the day was rigatoni, and for our mains my husband had a Creamy Wild Mushroom pasta with five different wild mushrooms while I had to try their Spicy Red Pesto. Both of us added cannellini beans, crispy prosciutto and arugula. Mine accidentally came with burrata but I was certainly not disappointed about that. Lasting thoughts, cannellini beans are extremely underrated and crispy prosciutto is my favorite version of prosciutto ever.
This month, I also discovered that Mariah Carey had released an expansive collection of House music remixes of her songs from the 1990’s through the 2000’s. She re-recorded vocals and added new melodies, building on multiple layers in her songs. A complete change of sound from the music that we already knew and loved. Daydream and Butterfly were tremendously influential to me as a child and a (secretly) aspiring singer. I remember sitting on the floor directly in front of the stereo, eagerly adding my CD to the rotating mix and flipping through the album booklet as it played, taking in the lyrics and rehearsing the highest notes.
Hearing so many of my favorite songs beautifully reimagined has made my month, maybe my year. It has been my soundtrack for this entire month and likely the rest of the year. I feel like everyone needs to know, I lived these many years completely unaware! Which brings up something else I feel strongly about, why are contemporary songs so short now? Successful albums and singles (ones I love too) barely include songs past the three minute mark anymore. Chugging along life to ten minute House remixes of songs from 1995 really makes the distinction. Honestly, we need to bring the genre back.
I’ll be clinging onto this moment for as long as I can. After Halloween is over, it’s Election week and before we know it the next couple of months race by at lightning speed. Holiday season is stressful of course, but for now I’ll just focus on getting to reunite and spend time with my sister again, as she always comes back to New York City to spend Christmas with all of us together. November, I’m ready for you.
Fiona Apple’s “Idler Wheel”
When Tidal was first released in 1996 the world was introduced to the "Sullen Girl," an eighteen-year-old Fiona Apple who would soon become a Grammy award winner with little patience for fame and expectations within pop culture.
When Tidal was first released in 1996 the world was introduced to the "Sullen Girl," an eighteen-year-old Fiona Apple who would soon become a Grammy award winner with little patience for fame and expectations within pop culture. Her songs and music videos were likely misunderstood by those expecting a jovial sound from the pretty girl behind the piano, but, like any woman that has had enough, she remained unapologetically herself.
In 1999 she released her second album titled, When The Pawn..., proving herself a more assured and lyrically mature songwriter and musician. "If you wanna make sense, what you looking at me for?" she asks. It would be seven years before Apple would release another album, Extraordinary Machine, which due to a controversial last minute change in producers has two versions - both similar, but the original much more playful and explorative instrumentally than the official release.
Her most recent work, The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do, is entirely acoustic and finds Fiona Apple at her most bare lyrically, vocally and musically. The production is vastly different from her previous albums, and it's clear she was able to be more deliberate through its creation.
Like many folk musicians, Fiona Apple doesn't hide any tricks up her sleeve when it comes to performing. Her smooth mellow voice, the loud bellow of a piano, and vivid lyricism is all that's required for a solid record, and her discography follows the progression of a young artist with so much to say, to a self-aware musician finally able to exercise the power and force of raw emotion and intellect musically. This record is an echoing defiance from past musical styles, dissonant and electric - but still always lyrical.